Calculations and Coincidences brings together three pioneers of algorithmic art; Vera Molnár, Dóra Maurer and Gizella Rákóczy through their works from the Hungarian National Bank Collection. The exhibition focuses primarily on the profound influence of Molnar, who was unquestionably among the most significant names in computer art, while tracing how the artistic explorations of Maurer and Rákóczy have expanded the boundaries of abstraction through the integration of algorithms and mathematics.
The publication accompanying the exhibition features Kinga Rózsa Hamvai's curatorial text and Kerem Ozan Bayraktar's essay, "I Love Order but I Can't Stand It," which takes its title from Vera Molnár's words. Bayraktar's text explores Molnár's practice alongside the historical context of algorithmic art. The publication also includes interviews conducted by Hans Ulrich Obrist with artists Vera Molnár and Dóra Maurer, as well as Gizella Rákóczy's article, "Four-Armed Spirals," which reflects on her own practice. Finally, Jon McCormack, Oliver Bown, Alan Dorin, Jonathan McCabe, Gordon Monro, and Mitchell Whitelaw address generative computer art through a series of ten questions.
At the 9th Major Community Gathering, the Suna’nın Kızları communities came together to review the past year’s outcomes and align on project plans for 2026. Participants explored new ideas and collaboration opportunities on how the model and programs co-developed with 33 civil society organizations over the past four years can further support and reinforce one another.
The Istanbul Research Institute continues to offer free guided tours of the exhibition The Photography Studio of an Adventurous Architect: Arif Hikmet Koyunoğlu 1893–1982, which sheds light on the life of one of the most unconventional architects of his time, spanning the late Ottoman and early Republican periods.
The catalogue Extraordinary Minas: The Story of Inspiration and Innovation in Kütahya Tiles and Ceramics examines the efforts of Kütahya masters in the late 19th and early 20th centuries to revive the disappearing craftsmanship of tile-making by focusing on a master and a group of his work, by presenting objects from the Suna and İnan Kıraç Foundation Kütahya Tiles and Ceramics Collection.